Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 18
... male projection of fears of rejection- fears that are abundantly confirmed by the play's ending , and , what is worse , made inevitable and justified by the po- litical and social necessity of Sappho's choice . Sappho may be ' right ...
... male projection of fears of rejection- fears that are abundantly confirmed by the play's ending , and , what is worse , made inevitable and justified by the po- litical and social necessity of Sappho's choice . Sappho may be ' right ...
Seite 22
... Male assumptions about ease of conquest , the play seems to suggest , are not healthy for the men them- selves , not realistic . As in As You Like It and in Lyly's Sappho and Phao , the women seem to feel they must help men understand ...
... Male assumptions about ease of conquest , the play seems to suggest , are not healthy for the men them- selves , not realistic . As in As You Like It and in Lyly's Sappho and Phao , the women seem to feel they must help men understand ...
Seite 71
... male subjects . 12 In this scheme , which wrests power from the woman , in particular the power accruing to both body and voice , the men ( and by association , male spectators ) have the last laugh , thereby defusing not only the ...
... male subjects . 12 In this scheme , which wrests power from the woman , in particular the power accruing to both body and voice , the men ( and by association , male spectators ) have the last laugh , thereby defusing not only the ...
Inhalt
Food in The Comedy of Errors | 12 |
Failed Courtship | 24 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 33 |
Urheberrecht | |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment mind moral murder nature Othello performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words