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Seite 350
2.2 Voice Characters ' point of view , their inner states , thoughts and emotions are reflected through camera movements , facial and physical gestures , all of which generally stay intact in translation . What cannot stay intact is ...
2.2 Voice Characters ' point of view , their inner states , thoughts and emotions are reflected through camera movements , facial and physical gestures , all of which generally stay intact in translation . What cannot stay intact is ...
Seite 351
One consequence of this ' voicework ' is that the audience identifies a voice with a specific actor or actress . Voices of actors can of course change from one movie to the next , but it is difficult to comment on the significance of ...
One consequence of this ' voicework ' is that the audience identifies a voice with a specific actor or actress . Voices of actors can of course change from one movie to the next , but it is difficult to comment on the significance of ...
Seite 352
Smith draws parallels between the suspense of the action and the use of the voice ( or style of delivery ) . For her , voice is to be understood as ' vocal performance ' , but also in its figurative sense , as a medium of expression ...
Smith draws parallels between the suspense of the action and the use of the voice ( or style of delivery ) . For her , voice is to be understood as ' vocal performance ' , but also in its figurative sense , as a medium of expression ...
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Inhalt
Contents | 1 |
A Narrative Account of the Babels vs Naumann Controversy | 21 |
Third Spaces Mimicry and Attention to Ambivalence | 51 |
Urheberrecht | |
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