Im Buch
Ergebnisse 1-3 von 65
Seite 50
Narrative and Identity in Social Protest ' , Social Problems 45 ( 2 ) : 137-59 . Ricæur , Paul ( 1979 / 1981a ) ' La Fonction Narrative ' , Études Théologiques et Religieuses 54 : 209-30 ; English translation by John B. Thompson ...
Narrative and Identity in Social Protest ' , Social Problems 45 ( 2 ) : 137-59 . Ricæur , Paul ( 1979 / 1981a ) ' La Fonction Narrative ' , Études Théologiques et Religieuses 54 : 209-30 ; English translation by John B. Thompson ...
Seite 200
Music and Identity , Critical Concepts in Media and Cultural Studies Series , London & New York : Routledge , 1-3 . ( 2004c ) ' Towards an Aesthetic of Popular Music ' , in Simon Frith ( ed . ) Popular Music . Volume IV .
Music and Identity , Critical Concepts in Media and Cultural Studies Series , London & New York : Routledge , 1-3 . ( 2004c ) ' Towards an Aesthetic of Popular Music ' , in Simon Frith ( ed . ) Popular Music . Volume IV .
Seite 157
Volume 15 , Number 1 ( 2009 ) , 157-78 ISBN 978-1-905763-13-9 Othello in the Egyptian Vernacular Negotiating the ' Doxic'in Drama Translation and Identity Formation SAMEH F. HANNA The University of Salford , Manchester , UK Abstract .
Volume 15 , Number 1 ( 2009 ) , 157-78 ISBN 978-1-905763-13-9 Othello in the Egyptian Vernacular Negotiating the ' Doxic'in Drama Translation and Identity Formation SAMEH F. HANNA The University of Salford , Manchester , UK Abstract .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Contents | 1 |
A Narrative Account of the Babels vs Naumann Controversy | 21 |
Third Spaces Mimicry and Attention to Ambivalence | 51 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
accessed activity analysis approach Arabic aspects attempt audience Babels become century changes chapter characters China Chinese classical communication concept considered constructed context critical cultural discourse discussion effect English example expression fact field foreign French function genre given global ideas identity important individual interest interpreters involved issue Italy knowledge language linguistic literary literature London meaning narrative nature offers opera original particular performance Persian played political popular position possible practice present Press production published question readers reading reference relation result rock role scholars sense social songs space specific stage strategies structure suggests theoretical tion tradition translation studies translation theory Turkish understanding University various voice West Western women writing York