Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 41
... viewer , is derealized but not by a gesture . The tension , which is felt by all viewers in the audience and which unites them , is this : the material situa- tion posits an object in its center of balance ( narrative identity ) and ...
... viewer , is derealized but not by a gesture . The tension , which is felt by all viewers in the audience and which unites them , is this : the material situa- tion posits an object in its center of balance ( narrative identity ) and ...
Seite 42
... viewer is invited to trick herself or himself into knowing an impossible way of being . This " trick " is what unites the audience against the film , unites them in a project against this impossibility : the praxis of working out ( of ) ...
... viewer is invited to trick herself or himself into knowing an impossible way of being . This " trick " is what unites the audience against the film , unites them in a project against this impossibility : the praxis of working out ( of ) ...
Seite 44
... viewer , implicating itself in him or her . But it cannot be said of Marker's landscape that it absorbs and escapes the viewer in that one - to - one relationship which informs the individualistic , humanist anxiety of Tati's work ...
... viewer , implicating itself in him or her . But it cannot be said of Marker's landscape that it absorbs and escapes the viewer in that one - to - one relationship which informs the individualistic , humanist anxiety of Tati's work ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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