Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 34
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
Seite 35
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
Seite 36
... present that is waiting for our encounter and is normally called the future . Time in its timing removes us in its threefold simultaneity .... But time itself , in the wholeness of its nature , does not move ; it rests in stillness ...
... present that is waiting for our encounter and is normally called the future . Time in its timing removes us in its threefold simultaneity .... But time itself , in the wholeness of its nature , does not move ; it rests in stillness ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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