Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 37
... possible that cinema is this unredeemable object , opposed to theatre as Cain to Abel ? Should it not be possible to revolutionize this part of human reality as much as our relations within any other material struc- ture ? As much as ...
... possible that cinema is this unredeemable object , opposed to theatre as Cain to Abel ? Should it not be possible to revolutionize this part of human reality as much as our relations within any other material struc- ture ? As much as ...
Seite 41
... possible contents are not " content " in the literary sense of abstracted meanings or ideas ; they are possible material con- tents . When we perceive the face to be missing , we perceive it as a missing object . At the same time , we ...
... possible contents are not " content " in the literary sense of abstracted meanings or ideas ; they are possible material con- tents . When we perceive the face to be missing , we perceive it as a missing object . At the same time , we ...
Seite 60
... possible . Or , to put this in a slightly different way , the relation between production and reception is performed , presented as a fabrication . Critical or theoretical reception falls as well within the set of conditions determined ...
... possible . Or , to put this in a slightly different way , the relation between production and reception is performed , presented as a fabrication . Critical or theoretical reception falls as well within the set of conditions determined ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York