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realism , and Russian constructivism ) as engaged in a non - adversial " hidden dialectic " with mass culture.5 Crow employs a somewhat different strategy in claiming a more important role for mass culture in the trajectory of modernism ...
realism , and Russian constructivism ) as engaged in a non - adversial " hidden dialectic " with mass culture.5 Crow employs a somewhat different strategy in claiming a more important role for mass culture in the trajectory of modernism ...
Seite 80
diachronic trajectory , presents an absolute reversal in the relations of “ high ” and “ mass ” culture , or literature and rock and roll music , including the subcultures formed around the music . If literature initially incorporates ...
diachronic trajectory , presents an absolute reversal in the relations of “ high ” and “ mass ” culture , or literature and rock and roll music , including the subcultures formed around the music . If literature initially incorporates ...
Seite 176
forms of organized mass culture bore the “ foreign ” traces of " Stalinized taste , " and came to signify an “ official distinction between American / UnAmerican , or inside / outside ” ( 16 ) . In this sense , the containment of ...
forms of organized mass culture bore the “ foreign ” traces of " Stalinized taste , " and came to signify an “ official distinction between American / UnAmerican , or inside / outside ” ( 16 ) . In this sense , the containment of ...
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Inhalt
A Special Issue on Music | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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action aesthetic American analysis Anderson appears authority avant-garde bases becomes beginning body Chinese cinema communication complex concept construction contemporary context continuity critical culture desire DIEGO discourse discussion effect elements essay example existence experience expression fact film force function given human identity images individual intellectuals issues jazz John kind language literature live male Mapplethorpe Marxism mass material matter means movement narrative nature Notes object once opposition organized original Paris particular performance photographs piece play pleasure political popular position possible postmodern practice precisely present production question reality recent reference relation represent representation seems sense sexual difference signifier social society song sound space specific structure Studies style suggests theoretical theory things tion traditional trans understanding University voice Western woman women writing York