Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 103
... images and products . Ball thus comes to a fashionably postmodernist conclusion that mass culture itself is now one long skein of détournements , a " cult of the displaced object [ in which ] détournement has become axiomatic to profit ...
... images and products . Ball thus comes to a fashionably postmodernist conclusion that mass culture itself is now one long skein of détournements , a " cult of the displaced object [ in which ] détournement has become axiomatic to profit ...
Seite 90
... image which tends to be aligned with the politics of identity . In order to gauge the film's conception of social ... images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and ...
... image which tends to be aligned with the politics of identity . In order to gauge the film's conception of social ... images , this passage leaves unasked the question as to the complicity between this " zero ' political coding " and ...
Seite 91
... image as well . The image becomes a kind of alibi , with its full signifying power giving way to a significance which is musical in effect . How ? If we think of why it is that certain images have left their effect on us , we notice ...
... image as well . The image becomes a kind of alibi , with its full signifying power giving way to a significance which is musical in effect . How ? If we think of why it is that certain images have left their effect on us , we notice ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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