Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 47
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
... function may be understood as a symbol of a social fact ; the form is dominated by the function and not by an autonomous formal law . It seems to have acknowledged itself as dance music . But at the same time it seems to be ardently ...
Seite 77
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
... function of cadence , but instead lets go of the last trace of communication between the chords which were the hallmark of the later chromatics , so that the results of the chromatic interaction now are released from any function . In ...
Seite 71
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
... function is an extrinsic catalyzing of existential affects . Ritornellos can find substance in rhythmic and plastic ... function : f ( den ) , corresponding to the relations between the form of the Content and the Referent ; 2 ) a ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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