Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 50
... elements of jazz , the good dance- able beat of the basic rhythm , are understood : the highly syn- copated " hot music " is tolerated , without its penetrating more specifically into our consciousness - all the more so because the ...
... elements of jazz , the good dance- able beat of the basic rhythm , are understood : the highly syn- copated " hot music " is tolerated , without its penetrating more specifically into our consciousness - all the more so because the ...
Seite 53
... elements in the beginnings of jazz , in Ragtime perhaps , it is still less archaic - primitive self - expression than the music of slaves ; even in the autochtonal music of the African interior , syncopa- tion within the example of a ...
... elements in the beginnings of jazz , in Ragtime perhaps , it is still less archaic - primitive self - expression than the music of slaves ; even in the autochtonal music of the African interior , syncopa- tion within the example of a ...
Seite 60
... element it can be fitted seamlessly into a convention . The individually modern element in jazz is as illusory as the collective archaic element . The illusory character of the individual elements relates jazz to salon music , towards ...
... element it can be fitted seamlessly into a convention . The individually modern element in jazz is as illusory as the collective archaic element . The illusory character of the individual elements relates jazz to salon music , towards ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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