Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 28
... continuity . Even John Cage , who is auto- matically considered ( at least in Europe ) as the pope of discon- tinuity , has defined musical form as " continuity , " and method as " the means of controlling the continuity from note to ...
... continuity . Even John Cage , who is auto- matically considered ( at least in Europe ) as the pope of discon- tinuity , has defined musical form as " continuity , " and method as " the means of controlling the continuity from note to ...
Seite 29
... continuity . " Now if " the coming into being of something new does not by that fact deprive what was of its proper place , " there can be no doubt that there will be continuity with the past . Therefore , Cage's inclusion of noise in ...
... continuity . " Now if " the coming into being of something new does not by that fact deprive what was of its proper place , " there can be no doubt that there will be continuity with the past . Therefore , Cage's inclusion of noise in ...
Seite 135
... continuity and in contrast and , part of the continuity , both anyway presuppose something of the subject in the form of the individual who can be subjected or who can recognize himself or herself in self- knowledge . The origin and ...
... continuity and in contrast and , part of the continuity , both anyway presuppose something of the subject in the form of the individual who can be subjected or who can recognize himself or herself in self- knowledge . The origin and ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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