Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 12Indiana University Press, 1989 |
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Seite 122
... bases , for all its speed , accuracy , and computational power , incurs a tremendous loss of data , or better , imposes a strong reading on it . Contemporary surveillance in data bases relies upon digital as opposed to analog encoding ...
... bases , for all its speed , accuracy , and computational power , incurs a tremendous loss of data , or better , imposes a strong reading on it . Contemporary surveillance in data bases relies upon digital as opposed to analog encoding ...
Seite 125
... base . In this sense data bases constitute individuals by manipulat- ing relationships between bits of information . But anyone may scribble away or type out this sort of information . What gives data bases their effectiveness is not ...
... base . In this sense data bases constitute individuals by manipulat- ing relationships between bits of information . But anyone may scribble away or type out this sort of information . What gives data bases their effectiveness is not ...
Seite 126
... bases , the Superpanopticon , is a means of controlling masses in the postmodern , postindustrial mode of information . Foucault taught us to read a new form of power by deciphering discourse / practice formations instead of intentions ...
... bases , the Superpanopticon , is a means of controlling masses in the postmodern , postindustrial mode of information . Foucault taught us to read a new form of power by deciphering discourse / practice formations instead of intentions ...
Inhalt
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
Urheberrecht | |
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Adorno aesthetic American analysis Anderson artist avant-garde Benjamin black women body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minnesota modern modernist montage narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross SAN DIEGO Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans UNIVE UNIVERSITY viewer voice Western woman writing Yellow Earth York