Alexander, (afterwards Earl of Stirling,) which is quoted in the Bibliotheca Anglo-Poetica, p. 286. The tract is there valued at £.10. 10s.; and there is a copy in the Bodleian Library.-The same author published at Edinburgh in 1600, "Sertum Poeticum in honorem Jacobi Sexti, Scotorum Regem;" in 1613 "The Prince's Epitaph," on the death of Prince Henry; and "Corona Virtutum Principe Dignarum, in usum Caroli Pr. ;" and in 1625 "Gratulatio quadrilinguis in Nuptiis Caroli I." BATHSUA REGINALD. 18. "Musa Virginea Græco-Latino-Gallica, Bathsuæ R. (filiæ Henrici Reginaldi gymnasiarchæ et philoglotti apud Londinenses) anno ætatis suæ decimo sexto edita. Londini, excudebat Edvardus Griffin, impensis Joannis Hodgets, 1616." 4to, pp. 16. In this production of female precocity are poems addressed to the King, Queen, Prince Charles, the Count Palatine, and Princess Elizabeth, and between each a paraphrase of a Scripture text respecting Kings. The copy presented to the King is in the British Museum. The usual concluding word is converted into the following compliment: "6 REGIS LAUS NESCIA FINIS," the three first words being prefixed by a pen. Besides the language mentioned in the title, the texts are also quoted in Hebrew, Spanish, and Dutch. There is another copy in Bodleian Library. THOMAS ROSE or Ross. 19. "Idæa, sive de Jacobi Magnæ Britannia, Galliæ, et Hyberniæ præstantissimi et augustissimi Regis virtutibus et ornamentis dilucida Enarratio, ejusque cum laudatissimis veterum Regibus, Monarchis, et Imperatoribus Comparatio exacta et enucleata. Authore Thoma Rosa, Scoto-britanno. Londini, excudebat Johannes Norton, serenissima Regia Majestati in Latinis, Græcis, et Hebraicis Typographus, 1608." 12mo, 356. This is a Latin treatise. About 150 pages are occupied with the praises of the King, and the rest with those of the Royal Family and all the principal Courtiers. There are a few Latin verses at the beginning signed "AR. GORD." There are copies of this in the British Museum and Bodleian libraries. SIR JOHN STRADLING. 20. "Beati Pacifici, a divine Poem; written to the King, and perused by his Majesty. 1623." 4to. There was a copy of this sold at Mr. Nassau's sale, March 14, 1824. Ro. TISDALE. 21. "Pax Vobis, or Wit's Changes: tuned in a Latin hexameter of Peace, whereof the numeral letters present the yeare of our Lord, and the verse itselfe (consisting only of nine words), admitted 1623 several changes or transpositions, remaineth still a true verse, to the great wonder of common understanding. With a Congratulatorie Poem thereupon, and other chronograms of the like numeral nature, expressing both the of our Lord, and the yeare of the King's reigne. Composed in celebration of this yeare's entrance of his Majestie into the xxi yeare of his blessed raigne over Great Britaine, and of the hopefull Journall of the thrice illustrious Prince Charles into Spaine. By Ro. Tisdale, of Graies Inne, Gent. 1623." 4to. yeare SORROWES IOY; or, A LAMENTATION for our late deceased Soveraigne ELIZABETH, WITH A TRIUMPH for the prosperous Succession of our gratious King IAMES, &c. 1 GRIEFE hauing spent a large excesse of teares, They, interchangeably, with one assent, Take griefes aboundance to inrich their owne; Till Thespia's spring the meades had ouerflowne. 'Printed by John Legat, Printer to the Vniversitie of Cambridge, 1603.-It may not be improper, in this place, to refer to the Harleian Miscellany, for a copy of a Tract originally published in 1603, containing 48 quarto pages, under the title of "England's Mourning Garment: worne here by plain Shepheardes, in memorie of their sacred Mistress, Elizabeth; Queen of Vertue, while she lived; and Theame of Sorrow, being dead. To which is added the true manner of her Imperiall Funeral; with the Shepheard's Spring Song for the Entertainment of King James, our most potent Sovereign. Dedicated to all that loved the deceased Queen, and honour the living King. Non Verbis, sed Virtute." This piece is a kind of pastoral dialogue between some shepherds, in verse and prose, containing a character of the renowned Queen, which has several particulars in it worthy of being preserved; and about the middle two pages and a half of poetry, in reprehension of those able poets, who did or could praise her when alive, for being silent at her death; among whom, though none are named, a reader well versed in their works may discern, he points at Daniel, Warner, Chapman, Marston, Shakspeare, Drayton, and three or four more. As to the order of the Funeral, there are in this but few variations from that which is printed in "Queen Elizabeth's Progresses, vol. III. p. 620. At the end of this part is an advertisement signed Hen. Chettle; who appears to have been the author of the whole. He was a Play-wright of some repute, who wrote many pieces in copartnership with the dramatists of the age. The chief object of this pamphlet was to perpetuate the deserved character of Queen Elizabeth, whom our author has (without bombast) described to be most religious to God, teinperate in all things; just, merciful, and charitable to her subjects, a faithful ally, and true friend to her distressed neighbours. But, in this compass, he has adorned her just encomium with the history of her Royal Ancestors from Henry the Seventh inclusive; and, amongst other things, his caution to discontented murmuring subjects, is worthy our observation. The tract concludes with a Funeral Song, by way of pastoral, the Funeral Procession, and the Shepherd's Spring Song to King James, before mentioned. Sent-pleasing flowers of gladnesse that had growne Bright Maiestie hath dimm'd her brightest parts, Like tragicke Chorus, euer meanes to rest; O soule-deare countrie, thou aboue the rest Liest in deepe floudes of bitter Sorrow drown'd: But thy lost heart receives no common wound; Heauen, adding glorie to the spatious world, The world amazed at this faire Glorie stood, England secure, bath'd in sweete Blisse's flood. Heauen's aide nere wanted Heauen's gifts supportal, The world World's glorie would haue endlesse made; The Earth aspir'd to get her ioy immortall; England still praid her blisse might never fade. Whence then had Death a power against all this, Heaven's gift, World's glorie, Earth's ioy, England's blisse? Il fine. O, dearest soyle, thy Nile-surrownding sorrow, Remorslesse hearts may be to pitty moued: Both hauing lost what both of us best loued. Nature and art so many ages striuing To whom the palme of excellence belonged, Agree in one rare piece's worke contriuing, To end the iarre; that each thought other wronged. Unvalued gemmes both heaped on their creature, A Virgin Queen, the height of praise transcending. In giving favours would admit no ending. Nature, Art, Fortune, vexed out of measure, You ill-limd shaddowes of my pensive spirit, That in dead colours shewe griefs liuing flame, Cease then rude numbers, of your lines inflame Confound with woe each person, sexe, and age, I. G. ENGLAND'S FAREWELL. Come, Muses Nine, and Graces Three, all clad in sad attire, Most Princes have all their renowne, from countries where they raigne; Of Spanish King, whose kingdom quak't, when they her flagge saw reared If Queene's doe win the praise from Kings, shee may aboue the rest. The Hempe is spunne, the glasse is run, the English-borne blood's ceased; And in our hearts for future time, will reare a tombe for thee. |