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Seite 177
Macbeth was " a martial figure , with a bright helmet , of no particular land or period , beyond medievalism and war , " said the Irish Times ( 6 September 1911 ) , and Lady Macbeth stood “ like a figure of Fate at the entrance of the ...
Macbeth was " a martial figure , with a bright helmet , of no particular land or period , beyond medievalism and war , " said the Irish Times ( 6 September 1911 ) , and Lady Macbeth stood “ like a figure of Fate at the entrance of the ...
Seite 360
But Macduff marks even their greatest worth at such a time ( and Malcolm's , as he thinks ) with tive figure . But that is its significance , and a most valuable one . And with care and intelligent acting this ever - gentle ' gentleman ...
But Macduff marks even their greatest worth at such a time ( and Malcolm's , as he thinks ) with tive figure . But that is its significance , and a most valuable one . And with care and intelligent acting this ever - gentle ' gentleman ...
Seite 524
... 84 , 105 deception , theme of 1 : 397 , 406 , 425 Elizabethan culture , relation to 19 : 195 Falstaff as the central character 1 : 287 , 298 , 312 , 333 as a comic figure 1 : 287 , 311 , 327 , 344 , 351 , 354 , 357 , 410 , 434 as a ...
... 84 , 105 deception , theme of 1 : 397 , 406 , 425 Elizabethan culture , relation to 19 : 195 Falstaff as the central character 1 : 287 , 298 , 312 , 333 as a comic figure 1 : 287 , 311 , 327 , 344 , 351 , 354 , 357 , 410 , 434 as a ...
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acting action actor ambition appearance audience Banquo become beginning beth better blood called castle character close comes costumes critic dark death direction dress Duncan effect enter evil expression face fact fear feeling figure final force Garrick ghost give given hand head horror human husband idea imagination interpretation Irving John Kemble kind King Lady Macbeth later less light lines London look Macduff Malcolm marked means mind Miss moving murder nature never night notes observed once opening performance perhaps play present production reading role scene seems seen sense Shakespeare Siddons Sisters soliloquy sound speak speech spirit stage success suggest theatre thing thought tion tragedy tragic turn voice Weird whole wife witches
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 20 Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810379694, 9780810379695 |
| Zitat exportieren | BiBTeX EndNote RefMan |