Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 16
15 This fellow who is " too wise to play the fool ” quickly wins Viola's applause when he sees the disease of both Malvolio and the Duke and prescribes remedies to them . This indeed is the top of wisdom to philosophise yet not to ...
15 This fellow who is " too wise to play the fool ” quickly wins Viola's applause when he sees the disease of both Malvolio and the Duke and prescribes remedies to them . This indeed is the top of wisdom to philosophise yet not to ...
Seite 51
In terms of the sympathies of the spectators , it is as easy for the author to kill off the wordly wise as it is for him to kill off Hotspur ; but the fool has a frustrating habit of staying alive , even when you think he has died .
In terms of the sympathies of the spectators , it is as easy for the author to kill off the wordly wise as it is for him to kill off Hotspur ; but the fool has a frustrating habit of staying alive , even when you think he has died .
Seite 57
It is my only suit , Provided that you weed your better judgments Of all opinion that grows rank in them That I am wise . I must have liberty Withal , as large a charter as the wind , To blow on whom I please , for so fools have ...
It is my only suit , Provided that you weed your better judgments Of all opinion that grows rank in them That I am wise . I must have liberty Withal , as large a charter as the wind , To blow on whom I please , for so fools have ...
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Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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accept action actor appears Arden asks audience aware becomes begins called Celia characters clown comedy comes comic convention Cordelia court critics daughters death desire disguise Duke Elizabethan essay expressed fact father feel Feste final folly Fool Fool's Ganymede give Goneril hand heart human Jaques John justice Kent kind King Lear lady Lear's less lines live London look Malvolio marriage master meaning mind nature never Night Olivia Orlando Orsino perhaps person play present Press question reason reference relation role Rosalind says scene seems sense sexual Shake Shakespeare social society speak speech stage Studies suggests tell things thou tion Touchstone tragedy true truth turn Twelfth Twelfth Night University Viola wise woman women young