Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 3
... person with- out the papers that give him his identity . But they are at Sidcup , and we know he will never get them . The agony is the greater because the fool sees that the labels society has pinned upon him fit just as well upon ...
... person with- out the papers that give him his identity . But they are at Sidcup , and we know he will never get them . The agony is the greater because the fool sees that the labels society has pinned upon him fit just as well upon ...
Seite 14
... person " marked by folly : lacking in judgment , fit consideration or in- telligence , as lacking in intellect ... persons used to employ fools in or- der to entertain themselves , and their friends either on certain ceremonial occasions ...
... person " marked by folly : lacking in judgment , fit consideration or in- telligence , as lacking in intellect ... persons used to employ fools in or- der to entertain themselves , and their friends either on certain ceremonial occasions ...
Seite 136
... person merely plays her original self , that tension is suspended . It is kept ; it doesn't dissolve , because the actor does re - route herself round through another part , unknown to the observer on stage . But the action is stopped ...
... person merely plays her original self , that tension is suspended . It is kept ; it doesn't dissolve , because the actor does re - route herself round through another part , unknown to the observer on stage . But the action is stopped ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words