Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 173
... feel a concern for this change . 20 Thus , before Orlando can join the Duke in not feeling the penalty of seasonal change in time , he must lose his commitment to the world of change and time . This is achieved through Rosalind's ...
... feel a concern for this change . 20 Thus , before Orlando can join the Duke in not feeling the penalty of seasonal change in time , he must lose his commitment to the world of change and time . This is achieved through Rosalind's ...
Seite 177
... feel toward their offspring . Additionally , McFarland has maintained that the tragic situation is sparked by the tension Lear feels between his role as father and as king . It is this dual dimension of Lear's character - the fact that ...
... feel toward their offspring . Additionally , McFarland has maintained that the tragic situation is sparked by the tension Lear feels between his role as father and as king . It is this dual dimension of Lear's character - the fact that ...
Seite 251
... feel that Cordelia has brought this on herself by her commitment to the victim's role ; that like Lear she wants to renounce , without really renouncing , the name and additions of daughter . But surely France's conde- scension must ...
... feel that Cordelia has brought this on herself by her commitment to the victim's role ; that like Lear she wants to renounce , without really renouncing , the name and additions of daughter . But surely France's conde- scension must ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words