Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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But first and foremost he is a brilliant stage clown , and his duty as such is in serving the interests of the audience . pp . 85-94 . . [ In the essay below , Videbæk maintains that Touchstone's function is to serve " the interests of ...
But first and foremost he is a brilliant stage clown , and his duty as such is in serving the interests of the audience . pp . 85-94 . . [ In the essay below , Videbæk maintains that Touchstone's function is to serve " the interests of ...
Seite 123
To any audience Touchstone's mission , even when he is absent , is perfectly clear . to behave on stage . The prime purpose , though , whether or not props are involved , must be heavy underscoring of the sexual aspects of love and ...
To any audience Touchstone's mission , even when he is absent , is perfectly clear . to behave on stage . The prime purpose , though , whether or not props are involved , must be heavy underscoring of the sexual aspects of love and ...
Seite 213
audience and delivers Merlin's prophecy ( 81-96 ) . In both instances he serves as a lull , an eye of the storm , and creates an instance of breathing space before the next onslaught . In the third act we are in the midst of the actual ...
audience and delivers Merlin's prophecy ( 81-96 ) . In both instances he serves as a lull , an eye of the storm , and creates an instance of breathing space before the next onslaught . In the third act we are in the midst of the actual ...
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Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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accept action actor appears Arden asks audience aware becomes begins called Celia characters clown comedy comes comic convention Cordelia court critics daughters death desire disguise Duke Elizabethan essay expressed fact father feel Feste final folly Fool Fool's Ganymede give Goneril hand heart human Jaques John justice Kent kind King Lear lady Lear's less lines live London look Malvolio marriage master meaning mind nature never Night Olivia Orlando Orsino perhaps person play present Press question reason reference relation role Rosalind says scene seems sense sexual Shake Shakespeare social society speak speech stage Studies suggests tell things thou tion Touchstone tragedy true truth turn Twelfth Twelfth Night University Viola wise woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 46 von Shakespearean Criticism Series |
| Herausgeber | Michelle Lee |
| Ausgabe | kommentiert |
| Verlag | Cengage Gale, 1999 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787624225, 9780787624224 |
| Länge | 420 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |