Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 53
To be aware that Shakespeare's plays were deeply and inevitably subjected ( given the nature of the acting companies ) ... Is there , indeed , any common denominator to roles known to have been played by the same actor in Shakespeare's ...
To be aware that Shakespeare's plays were deeply and inevitably subjected ( given the nature of the acting companies ) ... Is there , indeed , any common denominator to roles known to have been played by the same actor in Shakespeare's ...
Seite 135
Basil plays Rosalind , but everyone knows it is a boy , and indeed an actor ; the ' disguise ' is not a concealment . ... If Ganymede is acting Moira to Orlando's full knowledge ( just as Basil is acting Rosalind to the audience's full ...
Basil plays Rosalind , but everyone knows it is a boy , and indeed an actor ; the ' disguise ' is not a concealment . ... If Ganymede is acting Moira to Orlando's full knowledge ( just as Basil is acting Rosalind to the audience's full ...
Seite 220
Reentering in a period of confused stage action when it is unclear " who is who , who is being sent for , and who answers , " the recostumed actor - Cordelia sets off a shock of recognition . However , the tremors soon subside when ...
Reentering in a period of confused stage action when it is unclear " who is who , who is being sent for , and who answers , " the recostumed actor - Cordelia sets off a shock of recognition . However , the tremors soon subside when ...
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Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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accept action actor appears Arden asks audience aware becomes begins called Celia characters clown comedy comes comic convention Cordelia court critics daughters death desire disguise Duke Elizabethan essay expressed fact father feel Feste final folly Fool Fool's Ganymede give Goneril hand heart human Jaques John justice Kent kind King Lear lady Lear's less lines live London look Malvolio marriage master meaning mind nature never Night Olivia Orlando Orsino perhaps person play present Press question reason reference relation role Rosalind says scene seems sense sexual Shake Shakespeare social society speak speech stage Studies suggests tell things thou tion Touchstone tragedy true truth turn Twelfth Twelfth Night University Viola wise woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 46 von Shakespearean Criticism Series |
| Herausgeber | Michelle Lee |
| Ausgabe | kommentiert |
| Verlag | Cengage Gale, 1999 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787624225, 9780787624224 |
| Länge | 420 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |