Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 88
All are rooted in the primeval soil of play . ( J. Huizinga , Homo Ludens , 1949 ) The juxtaposition of these two images of play is followed in the second scene by Celia's persuasion of her cousin to shake off melancholy ...
All are rooted in the primeval soil of play . ( J. Huizinga , Homo Ludens , 1949 ) The juxtaposition of these two images of play is followed in the second scene by Celia's persuasion of her cousin to shake off melancholy ...
Seite 258
... That minces virtue , and does shake the head To hear of pleasure's name . The fitchew nor the soiled horse goes to't With a more riotous appetite . Down from the waist They're centaurs , though women all above .
... That minces virtue , and does shake the head To hear of pleasure's name . The fitchew nor the soiled horse goes to't With a more riotous appetite . Down from the waist They're centaurs , though women all above .
Seite 272
To make this strike home and shake our complacency , the speech of madness and folly at this moment needs to sound truly mad , wild and disorganized , not the coherently composed discourse of a satirist in disguise .
To make this strike home and shake our complacency , the speech of madness and folly at this moment needs to sound truly mad , wild and disorganized , not the coherently composed discourse of a satirist in disguise .
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Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
accept action actor appears Arden asks audience aware becomes begins called Celia characters clown comedy comes comic convention Cordelia court critics daughters death desire disguise Duke Elizabethan essay expressed fact father feel Feste final folly Fool Fool's Ganymede give Goneril hand heart human Jaques John justice Kent kind King Lear lady Lear's less lines live London look Malvolio marriage master meaning mind nature never Night Olivia Orlando Orsino perhaps person play present Press question reason reference relation role Rosalind says scene seems sense sexual Shake Shakespeare social society speak speech stage Studies suggests tell things thou tion Touchstone tragedy true truth turn Twelfth Twelfth Night University Viola wise woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 46 von Shakespearean Criticism Series |
| Herausgeber | Michelle Lee |
| Ausgabe | kommentiert |
| Verlag | Cengage Gale, 1999 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787624225, 9780787624224 |
| Länge | 420 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |