Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 95
In the play , Rosalind personifies both senses , as teacher and lover , judge and daughter . The argument of this chapter is that the matter of the play is the relation between nature and convention , the former understood as both ...
In the play , Rosalind personifies both senses , as teacher and lover , judge and daughter . The argument of this chapter is that the matter of the play is the relation between nature and convention , the former understood as both ...
Seite 135
But , even if we see ( as suggested earlier ) some degree of phallic envy in Rosalind , and some lesbianism in Celia , it is hardly more than latent . So the first two of these four motives for cross - dressings look the likely ones for ...
But , even if we see ( as suggested earlier ) some degree of phallic envy in Rosalind , and some lesbianism in Celia , it is hardly more than latent . So the first two of these four motives for cross - dressings look the likely ones for ...
Seite 145
The plan instates a daily regimen in which Ganymede elicits and Orlando performs his love for Rosalind . tacle of vigorous male - male combat staged before Rosalind not only occasions heteroerotic desire but becomes a central metaphor ...
The plan instates a daily regimen in which Ganymede elicits and Orlando performs his love for Rosalind . tacle of vigorous male - male combat staged before Rosalind not only occasions heteroerotic desire but becomes a central metaphor ...
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Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
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accept action actor appears Arden asks audience aware becomes begins called Celia characters clown comedy comes comic convention Cordelia court critics daughters death desire disguise Duke Elizabethan essay expressed fact father feel Feste final folly Fool Fool's Ganymede give Goneril hand heart human Jaques John justice Kent kind King Lear lady Lear's less lines live London look Malvolio marriage master meaning mind nature never Night Olivia Orlando Orsino perhaps person play present Press question reason reference relation role Rosalind says scene seems sense sexual Shake Shakespeare social society speak speech stage Studies suggests tell things thou tion Touchstone tragedy true truth turn Twelfth Twelfth Night University Viola wise woman women young
Bibliografische Informationen
| Titel | Shakespearean Criticism Literature criticism online Band 46 von Shakespearean Criticism Series |
| Herausgeber | Michelle Lee |
| Ausgabe | kommentiert |
| Verlag | Cengage Gale, 1999 |
| Original von | University of Michigan |
| Digitalisiert | 23. Mai 2008 |
| ISBN | 0787624225, 9780787624224 |
| Länge | 420 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |