Shakespearean CriticismCengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 59
Seite 93
... Jaques and Touchstone are symmetrically related . Jaques himself recognises this kinship of opposites in his ambition for motley , though his description of his meeting with the fool is another example of the dra- matic use of report to ...
... Jaques and Touchstone are symmetrically related . Jaques himself recognises this kinship of opposites in his ambition for motley , though his description of his meeting with the fool is another example of the dra- matic use of report to ...
Seite 159
... Jaques ' vision of human life is essentially external . For him all there is is the pretence , the mask , the actor's part , the acci- dents . He describes behaviour , but not experience . Jaques is , perhaps , the first of those great ...
... Jaques ' vision of human life is essentially external . For him all there is is the pretence , the mask , the actor's part , the acci- dents . He describes behaviour , but not experience . Jaques is , perhaps , the first of those great ...
Seite 160
... Jaques ' sense , moreover , like philoso- phy , is a map ; a map cannot reproduce the whole landscape in its minute detail . Yet we can only really know the landscape ( ' known ' as connaître , not savoir ) , if we have all its details ...
... Jaques ' sense , moreover , like philoso- phy , is a map ; a map cannot reproduce the whole landscape in its minute detail . Yet we can only really know the landscape ( ' known ' as connaître , not savoir ) , if we have all its details ...
Inhalt
Shakespeares Clowns and Fools | 1 |
As You Like | 87 |
King Lear | 176 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Arden Armin audience Audrey aware boy actor Celia Cesario characters clown comedy comic convention Cordelia court critics daughters death desire disguise dramatic Duke Senior Edgar Edmund Elizabethan essay date Falstaff father feel Feste Feste's final folly Fool's Forest of Arden Ganymede gender Gentlemen of Verona Gloucester Gloucester's Goneril Goneril and Regan Hamlet homoerotic human Illyria Jaques jester joke justice Kent kind King Lear lady Lear's Fool lines London lover male Malvolio Maria marriage marry meaning motley nature never Olivia Orlando Orsino Parolles play's Renaissance Robert Armin role Rosalind says scene Sebastian seems sense servant sexual Shake Shakespeare Sir Toby social society song speak speare speare's speech stage suggests tell Theatre thee things thou tion Touchstone Touchstone's traditional tragedy tragic truth Twelfth Night Videbæk Viola William Shakespeare wise woman women words