The Works of Shakespeare ..., Band 34Bobbs-Merrill Company, 1901 |
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Seite xiv
... close enough to establish a case of imitation on Shakespeare's part . His most important parallelisms really amount to little more than phrases , which might have come from some common source , or might be independently invented . A ...
... close enough to establish a case of imitation on Shakespeare's part . His most important parallelisms really amount to little more than phrases , which might have come from some common source , or might be independently invented . A ...
Seite liii
... close analogue of Bassanio , and Shakespeare is fond of repeating or slightly varying names ; as , for instance , in the cowardly Sir John Fastolfe in 1 Henry VI . we have a close analogue of our friend Sir John Falstaff , originally ...
... close analogue of Bassanio , and Shakespeare is fond of repeating or slightly varying names ; as , for instance , in the cowardly Sir John Fastolfe in 1 Henry VI . we have a close analogue of our friend Sir John Falstaff , originally ...
Seite lxxiii
... close coincidences would be no proof of Greene's authorship . But of close coincidences Dr. Grosart has little or nothing to give us . Then comes , what Dr. Grosart seems to regard as a crowning proof of Greene's authorship of Titus ...
... close coincidences would be no proof of Greene's authorship . But of close coincidences Dr. Grosart has little or nothing to give us . Then comes , what Dr. Grosart seems to regard as a crowning proof of Greene's authorship of Titus ...
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Aaron affection authorship Bassianus blood bring brother character child Chiron close comes common course critics dead death Demetrius doth doubt Elizabethan emperor empress Enter evidence eyes father favour feel friends give Goths hand hast hath heart heaven Henry honour Introduction kill King later Lavinia Lear least leave live look lord Lucius Marc Marcus means mind Moor moral murder nature never noble original perhaps person piece play plot poor possible probably queen regarded revenge Richard Roman Rome Saturninus scene seems sense Shake Shakespeare shows sons sorrow speak speech story sure sweet Tamora tears tell thee thing thou Titus Andronicus tragedy tribunes true turn villain whole writing written wrong young