The Knowledge of EnglishH. Holt, 1927 - 572 Seiten |
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Seite iii
... formal elaboration , especially in so complicated a matter as language , lies in the temptation to subdue concrete detail to the demands of beauty and order in the system . For the present purpose , it has seemed advisable to approach ...
... formal elaboration , especially in so complicated a matter as language , lies in the temptation to subdue concrete detail to the demands of beauty and order in the system . For the present purpose , it has seemed advisable to approach ...
Seite viii
... formal side is nothing more than the examination of those devices and manipulations of language which are employed to attain the desired end in the art of expression . It is important therefore that the relations of style to the whole ...
... formal side is nothing more than the examination of those devices and manipulations of language which are employed to attain the desired end in the art of expression . It is important therefore that the relations of style to the whole ...
Seite 8
... formal discipline in the language to know the grounds upon which their pronouncements are based . Even though they mean well , if they do not know well , such persons must be counted among the evil doers . The greatest obstacle to the ...
... formal discipline in the language to know the grounds upon which their pronouncements are based . Even though they mean well , if they do not know well , such persons must be counted among the evil doers . The greatest obstacle to the ...
Seite 55
... formal character , of lower levels existing , if not necessarily appropriate , among less elevated circumstances . These popular distinctions of level may be accepted without weighting them too heavily with significance in respect of ...
... formal character , of lower levels existing , if not necessarily appropriate , among less elevated circumstances . These popular distinctions of level may be accepted without weighting them too heavily with significance in respect of ...
Seite 56
... English . Starting again at the middle level of General Colloquial and moving in the opposite direction , the first stage is reached at Formal Colloquial , and the next and final upper limit 56 THE LEVELS OF ENGLISH SPEECH.
... English . Starting again at the middle level of General Colloquial and moving in the opposite direction , the first stage is reached at Formal Colloquial , and the next and final upper limit 56 THE LEVELS OF ENGLISH SPEECH.
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Häufige Begriffe und Wortgruppen
acquired adjective adverbs Anglo-Saxon artist become called Celts century Chaucer colloquial common consonant correctness cultivated custom dative definition dialect dictionary distinction elements England English language English speech English word etymology example existence experience expression fact feeling formal forms of speech free verse French gender Germanic languages guage habits human idiom Indo-European languages Indo-European parent speech inflectional intelligible kind Latin less linguistic literary literature logical matter meaning merely Middle English mind Modern English mood nature notion noun origin perhaps period person phonetic phrase plural poet poetry popular possessive possible practical present preterite pronoun pronounced pronunciation prose purist question reason regular result rhythm rules Saxon sense sentence Shakspere simple singular social sounds speak speaker spelling split infinitive strong verbs structure student style syllable tense term things thought tion traditional unity verb verse vocabulary vowel weak inflection whole writing
Beliebte Passagen
Seite 470 - Behold the child, by nature's kindly law, Pleas'd with a rattle, tickled with a straw: Some livelier play-thing gives his youth delight, A little louder, but as empty quite: Scarfs, garters, gold, amuse his riper stage, And beads and pray'r-books are the toys of age: Pleas'd with this bauble still, as that before; 'Till tir'd he sleeps, and life's poor play is o'er.
Seite 471 - Thou wast not born for death, immortal bird ! No hungry generations tread thee down ; The voice I heard this passing night was heard In ancient days by emperor and clown : Perhaps the self-same song that found a path Through the sad heart of Ruth, when sick for home, She stood in tears amid the alien corn...
Seite 506 - Place me on Sunium's marbled steep, Where nothing, save the waves and I, May hear our mutual murmurs sweep; There, swan-like, let me sing and die: A land of slaves shall ne'er be mine— Dash down yon cup of Samian wine!
Seite 455 - To this I reply, that a rustic's language, purified from all provincialism and grossness, and so far re-constructed as to be made consistent with the rules of grammar, (which are, in essence, no other than the laws of universal logic applied to Psychological materials,) will not differ from the language of any other man of...
Seite 515 - ... a sort of cloistral refuge, from a certain vulgarity in the actual world. A perfect poem like Lycidas, a perfect fiction like Esmond, the perfect handling of a theory like Newman's Idea of a University, has for them something of the uses of a religious "retreat.
Seite 502 - John Gilpin's spouse said to her dear, Though wedded we have been These twice ten tedious years, yet we No holiday have seen.
Seite 426 - Style in all its varieties, reserved or opulent, terse, abundant, musical, stimulant, academic, so long as each is really characteristic or expressive, finds thus its justification, the sumptuous good taste of Cicero being as truly the man himself, and not another, justified, yet insured inalienably to him, thereby, as would have been his portrait by Raffaelle, in full consular splendour, on his ivory chair.
Seite 507 - Be proud! for she is saved, and all have helped to save her! She that lifts up the manhood of the poor, She of the open soul and open door, With room about her hearth for all mankind!
Seite 426 - The one word for the one thing, the one thought, amid the multitude of words, terms, that might just do: the problem of style was there ! — the unique word, phrase, sentence, paragraph, essay, or song, absolutely proper to the single mental presentation or vision within. In that perfect justice, over and above the many contingent and removable beauties with which beautiful style may charm us, but which it can exist without...
Seite 505 - Are not a spoil for him, — thou dost arise And shake him from thee; the vile strength he wields For earth's destruction thou dost all despise, Spurning him from thy bosom to the skies, And send'st him, shivering in thy playful spray And howling, to his Gods, where haply lies His petty hope in some near port or bay, And dashcst him again to earth: — there let him lay.