Shakespearean CriticismCengage Gale, 2002 - 448 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Seite 46
... suggests the power she wields with John . Whether hadst thou rather be a Faulconbridge , And like thy brother , to enjoy thy land , Or the reputed son of Coeur - de - lion , Lord of thy presence and no land beside ? I like thee well ...
... suggests the power she wields with John . Whether hadst thou rather be a Faulconbridge , And like thy brother , to enjoy thy land , Or the reputed son of Coeur - de - lion , Lord of thy presence and no land beside ? I like thee well ...
Seite 82
... suggests that one's social role is not only metaphorically theatrical but constitutively so . This theatricality of self and social role further implies a fluidity of identity , name , and position that is antithetical to a stable ...
... suggests that one's social role is not only metaphorically theatrical but constitutively so . This theatricality of self and social role further implies a fluidity of identity , name , and position that is antithetical to a stable ...
Seite 203
... suggests that Shake- speare questioned the wisdom of associating revenge with a norm figure . 5. The campaign planned by Coriolanus , the wars of Hotspur , Malcolm , and Macduff , and the combat of Edgar and Edmund are special cases ...
... suggests that Shake- speare questioned the wisdom of associating revenge with a norm figure . 5. The campaign planned by Coriolanus , the wars of Hotspur , Malcolm , and Macduff , and the combat of Edgar and Edmund are special cases ...
Inhalt
King John | 1 |
Character Studies | 38 |
Production Reviews | 62 |
Urheberrecht | |
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action Antigonus argues Arthur audience Autolycus Bastard becomes blood Brabantio Camillo Cassio character Christian claim Claudius comedy Constance critics cultural death demona Desdemona desire discourse dramatic Eleanor Elizabethan Emilia England English Erinyes essay father Faulconbridge Florizel ghost Hamlet handkerchief hath heaven Henry Hermione Hermione's Hieronimo human husband Iago Iago's innocence John's kill King John Laertes language Lavinia Leontes London lord Macbeth madness male Mamillius marriage means ment metaphor misogyny moral mother motif murder nature Othello Pandulph passion Paulina Perdita Philip play's plot political Polixenes present Press Prince Prospero relationship Renaissance response revenge play revenge tragedy rhetoric Richard Richard III role says scene sense sexual Shake Shakespeare Shakespeare's play Spanish Tragedy speak speare speare's speech stage suggests Tamora Tempest theatrical thee thou tion Titus Andronicus tragic Troublesome Raigne truth Univ vengeance Venice wife Winter's Tale woman women words