After NatureRandom House, 2002 - 116 Seiten After Nature, W. G. Sebald’s first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind’s place in the natural world. From the efforts of each, “an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance.” The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages. After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author’s position as one of the most profound and original writers of our time. From the Hardcover edition. |
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Seite 5
... face of the unknown Grünewald emerges again and again in his work as a witness to the snow miracle , a hermit in the desert , a commiserator in the Munich Mocking of Christ . Last of all , in the afternoon light in the 5 · · I · · · ...
... face of the unknown Grünewald emerges again and again in his work as a witness to the snow miracle , a hermit in the desert , a commiserator in the Munich Mocking of Christ . Last of all , in the afternoon light in the 5 · · I · · · ...
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... face reappears , too , in a Basel painting by Holbein the Younger of a crowned female saint . These were strangely disguised instances of resemblance , wrote Fraenger whose books were burned by the fascists . Indeed it seemed as though ...
... face reappears , too , in a Basel painting by Holbein the Younger of a crowned female saint . These were strangely disguised instances of resemblance , wrote Fraenger whose books were burned by the fascists . Indeed it seemed as though ...
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... , then the death , too , of the other . An X - ray photograph of the Sebastian panel reveals beneath the elegiac portrait of the saint that same face again , the half- profile only turned a tiny bit further in the definitive 18.
... , then the death , too , of the other . An X - ray photograph of the Sebastian panel reveals beneath the elegiac portrait of the saint that same face again , the half- profile only turned a tiny bit further in the definitive 18.
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Alexander's battle Alps already Alsace altar panels altar-work Altdorfer Anna Anthony Anthony's fire Antonian hospital Aschaffenburg Bamberg Bay of Avatsha beautiful blue body brothers child clouds colours curved feather Cyriax Danzig darkness dead death desert dust earth Erbach eyes face Frankfurt Fürth gaze German ghetto green grey Grünewald hand head heart horse hour Isenheim Jews land landscape later leaves Lepekhin light Lindenhardt living look Mainz Mathis Nithart MICHAEL HAMBURGER midst miracle misfortune mountain nature night Nürnberg outermost painted painter peasants perscrutamini Petropavlovsk phosphorescent picture picture's planet red headcloth sails saint salt Sandrart scarcely seems self-portrait shadows fall ship motionless sickle sits smoke snow snow-covered soul Steller strange Tatar tells Theophon things tiny translated tree turned Tyumen valley Vitus Bering W. G. Sebald waves whale window Windsheim wings Würzburg yellow Zülch