After NatureRandom House, 2002 - 116 Seiten After Nature, W. G. Sebald’s first literary work, now translated into English by Michael Hamburger, explores the lives of three men connected by their restless questioning of humankind’s place in the natural world. From the efforts of each, “an order arises, in places beautiful and comforting, though more cruel, too, than the previous state of ignorance.” The first figure is the great German Re-naissance painter Matthias Grünewald. The second is the Enlightenment botanist-explorer Georg Steller, who accompanied Bering to the Arctic. The third is the author himself, who describes his wanderings among landscapes scarred by the wrecked certainties of previous ages. After Nature introduces many of the themes that W. G. Sebald explored in his subsequent books. A haunting vision of the waxing and waning tides of birth and devastation that lie behind and before us, it confirms the author’s position as one of the most profound and original writers of our time. From the Hardcover edition. |
Im Buch
Ergebnisse 1-3 von 3
Seite 9
... Sandrart's German Academy of the year 1675 begins with the notice that the author knows not one person living who could provide a written or oral testimony of that praiseworthy hand . We may trust that report by Sandrart , for a ...
... Sandrart's German Academy of the year 1675 begins with the notice that the author knows not one person living who could provide a written or oral testimony of that praiseworthy hand . We may trust that report by Sandrart , for a ...
Seite 10
... Sandrart had not been , but had heard of the altar - work there , which , he writes , was so fashioned that real life could scarce have been other and where , it was said , a St. Anthony with demons meticulously drawn was to be seen ...
... Sandrart had not been , but had heard of the altar - work there , which , he writes , was so fashioned that real life could scarce have been other and where , it was said , a St. Anthony with demons meticulously drawn was to be seen ...
Seite 11
... Sandrart , when at one time in Rome he was counterfeiting the pope , had caught sight , with certainty this was all that was not lost of the work of the Aschaffenburg painter of whom , besides , he knew only that most of the time he had ...
... Sandrart , when at one time in Rome he was counterfeiting the pope , had caught sight , with certainty this was all that was not lost of the work of the Aschaffenburg painter of whom , besides , he knew only that most of the time he had ...
Inhalt
Abschnitt 1 | 3 |
Abschnitt 2 | 5 |
Abschnitt 3 | 9 |
Urheberrecht | |
34 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Alexander's battle Alps already Alsace altar panels altar-work Altdorfer Anna Anthony Anthony's fire Antonian hospital Aschaffenburg Bamberg Bay of Avatsha beautiful blue body brothers child clouds colours curved feather Cyriax Danzig darkness dead death desert dust earth Erbach eyes face Frankfurt Fürth gaze German ghetto green grey Grünewald hand head heart horse hour Isenheim Jews land landscape later leaves Lepekhin light Lindenhardt living look Mainz Mathis Nithart MICHAEL HAMBURGER midst miracle misfortune mountain nature night Nürnberg outermost painted painter peasants perscrutamini Petropavlovsk phosphorescent picture picture's planet red headcloth sails saint salt Sandrart scarcely seems self-portrait shadows fall ship motionless sickle sits smoke snow snow-covered soul Steller strange Tatar tells Theophon things tiny translated tree turned Tyumen valley Vitus Bering W. G. Sebald waves whale window Windsheim wings Würzburg yellow Zülch