Wim Wenders and Peter Handke: Collaboration, Adaptation, RecompositionRodopi, 2011 - 314 Seiten This is the first volume in English to examine in detail one of the most remarkable collaborations between a writer and filmmaker in European cinema. Focusing on the four films Wim Wenders and Peter Handke made between 1969 and 1987 (3 American LPs, The Goalkeeper’s Fear of the Penalty, Wrong Move, and Wings of Desire), it explores the productive tension between adaptation and collaboration and demonstrates the different ways in which text- and image-makers can recompose film’s constituent media (literature, still and moving images, music, drama). The study reveals that this partnership had significant aesthetic and conceptual repercussions for both artists, resulting in a series of single-authored works which manifest the same kinds of intertextuality and disjunctive intermediality that are the hallmark of the collaborations themselves. These include Wenders’s Alice in the Cities, Handke’s films The Chronicle of On-Going Events and The Left-Handed Woman , and his novels Short Letter, Long Farewell and A Moment of True Feeling. While the Wenders-Handke partnership is unique, it contributes to a broader understanding of cinematic adaptation and different models of intermedial collaboration. This volume will be of interest to those working in the fields of Adaptation, Film, and German Studies. |
Inhalt
9 | |
10 | |
11 | |
35 | |
Language into Image in The Goalkeepers Fear of the Penalty | 113 |
From Short Letter Long Farewell to Alice in the Cities | 163 |
Text Image and Allusion in Wrong Move | 195 |
5 Leafing through Wings of Desire | 243 |
Conclusion | 281 |
Filmographies | 289 |
292 | |
309 | |
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Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition Martin Brady,Joanne Leal Keine Leseprobe verfügbar - 2011 |
Wim Wenders and Peter Handke: Collaboration, Adaptation, Recomposition Martin Brady,Joanne Leal Keine Leseprobe verfügbar - 2011 |
Häufige Begriffe und Wortgruppen
aesthetic Alice American LPs angels audience become Bildungsroman Bloch camera Chronicle of On-Going cinema claim colour contemporary context cultural Damiel Danièle Huillet demonstrates described dialogue discourse essay example experience explore fact film's filmic Frankfurt am Main Gemünden genre German Goalkeeper's Fear Handke and Wenders Handke's novel Handke's text Ibid imply Innerworld interaction Jean-Marie Straub John Ford Keuschnig kind landscape language Left-Handed Woman linguistic literary adaptation literature Long Farewell mins motif movie narrative narrator Penalty Peter Handke Philip Philip Winter photographs play poem point-of-view political potentially protagonist reality recomposition reference relationship Roger Willemsen Rüdiger Vogler scene script self-reflexive sense sensibilist sequence Short Letter shot significant Silver City Revisited story story-telling Straub-Huillet suggests Suhrkamp television theme translation Van Morrison viewer visual Wenders and Handke Wenders's Wenders's early Wenders's film Whilst Wilhelm Wim Wenders window Wings of Desire word and image writer and filmmaker writing Wrong Move