Ethel Merman: A Life“Kellow’s chronology is dishy and seamless; he understands the dynamics of the theater world and makes you feel the exhilaration of an evolving hit and the frustrations inherent in working with a performer like Merman.”—The New York Times Book Review “[Kellow] has painted a vivid portrait of a Broadway diva who shone brighter and sang louder than anyone else.”—The Washington Post BookWorld More than twenty years after her death, Ethel Merman continues to set the standard for American musical theater. The stories about the supremely talented, famously strong-willed, fearsomely blunt, and terrifyingly exacting woman are stuff of legend. But who was Ethel Agnes Zimmermann, really? Brian Kellow’s definitive biography of the great Merman is superb, and the first account to examine both the artist and the woman with as much critical rigor as empathy. Through dozens of interviews with her colleagues, friends, and family members, Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) traces the arc of her life and her thirty-year singing career to reveal many surprising facts about Broadway’s biggest star. |
Im Buch
Ergebnisse 1-5 von 64
Seite
Occasionally she felt it necessary to rein in her husband when he became too gregarious, but for the most part she kept a low profile, quietly and efficiently running the household while Pop commuted to Manhattan each weekday.
Occasionally she felt it necessary to rein in her husband when he became too gregarious, but for the most part she kept a low profile, quietly and efficiently running the household while Pop commuted to Manhattan each weekday.
Seite
Perhaps she simply resented being taken for something and someone she was not and felt compelled to set the record straight. The Zimmermanns were devoted to Ethel, working hard to see that she would eventually develop into their idea of ...
Perhaps she simply resented being taken for something and someone she was not and felt compelled to set the record straight. The Zimmermanns were devoted to Ethel, working hard to see that she would eventually develop into their idea of ...
Seite
Elated to be on a regular bill with a team as famous as Clayton, Jackson, and Durante, Ethel felt that she had finally been lifted to a whole new level in show business. But her happiness didn't last long: she had to bow out of the act ...
Elated to be on a regular bill with a team as famous as Clayton, Jackson, and Durante, Ethel felt that she had finally been lifted to a whole new level in show business. But her happiness didn't last long: she had to bow out of the act ...
Seite
Edens felt that Ethel's style had always been her own and owed nothing to Al Siegel or anyone else. In fact, he questioned whether Ethel really had any particular style at all, or simply a natural ability to project that was frequently ...
Edens felt that Ethel's style had always been her own and owed nothing to Al Siegel or anyone else. In fact, he questioned whether Ethel really had any particular style at all, or simply a natural ability to project that was frequently ...
Seite
The partners were so successful that by 1927 it felt natural enough for them to open their own Broadway theater at 250 West Fifty-second Street. They dubbed it the Alvin— a conflation of the first syllables of both their first names.
The partners were so successful that by 1927 it felt natural enough for them to open their own Broadway theater at 250 West Fifty-second Street. They dubbed it the Alvin— a conflation of the first syllables of both their first names.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Chapter Five | |
Chapter Seven | |
Chapter Eight | |
Chapter Nine | |
Chapter Fourteen | |
Chapter Fifteen | |
Chapter Sixteen | |
Chapter Seventeen | |
Chapter Eighteen | |
Chapter Nineteen | |
Chapter Twenty | |
Chapter Twentyone | |
Chapter | |
Chapter Eleven | |
Chapter Twelve | |
Chapter Thirteen | |
Chapter Twentytwo | |
Acknowledgments | |
Notes | |
Bibliography | |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors American Annie appeared asked audience Barbara became become began Berlin Broadway Call Me Madam career cast close comedy continued Crouse didn’t DIRECTOR Dorothy dressing early Ethel Merman fact feel felt finally followed friends gave George Girl give going Gypsy hand Happy Hollywood Hope idea interview with author Jack John June kind knew Lady later live looked manager March Mary Miss moved movie musical needed never night once onstage opened Panama performance picture played Porter producer recalled rehearsals returned Rose scene seemed signed singer singing songs soon sound stage star story success theater thing thought told Tony took trying turned voice wanted Warner Bros weeks writing York