While Spring shall pour his Show'rs, as oft he wont, While sallow Autumn fills thy lap with Leaves, And rudely rends thy Robes. So long regardful of thy quiet Rule, Shall Fancy, Friendship, Science, smiling Peace, And love thy fav'rite Name! WILLIAM COLLINS. ON THE DEATH OF A FAVOURITE CAT, 'Twas on a lofty vase's side, Her conscious tail her joy declar'd; The velvet of her paws, Her coat, that with the tortoise vies, She saw; and purr'd applause. Still had she gaz'd; but 'midst the tide Their scaly armour's Tyrian hue Betray'd a golden gleam. The hapless Nymph with wonder saw : She stretch'd in vain to reach the prize. Presumptuous Maid! with looks intent Eight times emerging from the flood No Dolphin came, no Nereid stirr'd: From hence, ye Beauties undeceiv'd, And be with caution bold. Not all that tempts your wand'ring eyes THOMAS GRAY. JESUS, Lord, in Pity hear us, O Return, While we mourn, By thy Spirit chear us. Swallow'd up in Sin and Sadness O relieve, Us that grieve Turn our Grief to Gladness. Send the Comforter to raise us Let us see God in Thee Merciful and gracious. Him the Purchase of thy Passion Cleanse our Heart By his Inspiration. By the Earnest of thy Spirit Heaven above inherit. Perfect when we walk before thee Fill'd with Love, Then remove To our Thrones of Glory. CHARLES WESLEY. SONG WHY we love, and why we hate, If on me Zelinda frown, Madness 'tis in me to grieve: Since her will is not her own, Why should I uneasy live? If I for Zelinda dy, Deaf to poor Mizella's cries, Ask me not the reason why: Seek the riddle in the skies. AMBROSE PHILIPS. THE CASTLE OF INDOLENCE ADVERTISEMENT This poem being writ in the Manner of Spenser, the obsolete Words, and a Simplicity of Diction in some of the Lines, which borders on the Ludicrous, were necessary to make the Imitation more perfect. And the stile of that admirable Poet, as well as the Measure in which he wrote, are as it were appropriated by Custom to all Allegorical Poems writ in our Language; just as in French the stile of Marot who lived under Francis I. has been used in Tales, and familiar Epistles, by the politest writers of the Age of Louis XIV. CANTO I The Castle hight of Indolence, Where for a little Time, alas ! I O MORTAL Man, who livest here by Toil, Do not complain of this thy hard Estate; That like an Emmet thou must ever moil, Is a sad Sentence of an ancient Date : And, certes, there is for it Reason great ; For, though sometimes it makes thee weep and wail, And curse thy Star, and early drudge and late, Withouten That would come an heavier Bale, Loose Life, unruly Passions, and Diseases pale. II In lowly Dale, fast by a River's Side, With woody Hill o'er Hill encompass'd round, Than whom a Fiend more fell is no where found. It was, I ween, a lovely Spot of Ground; And there a Season atween June and May, Half prankt with Spring, with Summer half imbrown'd, A listless Climate made, where, Sooth to say, No living Wight could work, ne cared even for Play. III Was nought around but Images of Rest: Sleep-soothing Groves, and quiet Lawns between ; And flowery Beds that slumbrous Influence kest, From Poppies breath'd; and Beds of pleasant Green, Where never yet was creeping Creature seen. Meantime unnumber'd glittering Streamlets play'd,, And hurled every-where their Waters sheen ; That, as they bicker'd through the sunny Glade, Though restless still themselves, a lulling Murmur made. IV Join'd to the Prattle of the purling Rills, V Full in the Passage of the Vale, above, Where nought but shadowy Forms were seen to move, And up the Hills, on either Side, a Wood Of blackening Pines, ay waving to and fro, Sent forth a sleepy Horror through the Blood; And where this Valley winded out, below, The murmuring Main was heard, and scarcely heard, to flow. VI A pleasing Land of Drowsy-hed it was: Of Dreams that wave before the half-shut eye; For ever flushing round a Summer-Sky: |