Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 81
... Woman , to represent women as passive objects to be looked at and longed for " ( 145 ) . Yes and no . For " Woman , " Mailer clearly believes and tradition supports , can also be deadly , not only to herself but to others ; she can ...
... Woman , to represent women as passive objects to be looked at and longed for " ( 145 ) . Yes and no . For " Woman , " Mailer clearly believes and tradition supports , can also be deadly , not only to herself but to others ; she can ...
Seite 114
... woman like Anita Hill in relation to the mass media . Punished during the proceedings by the constant insin- uation that she was telling these events to gain publicity for her- self— that is , to sell her story she was then punished for ...
... woman like Anita Hill in relation to the mass media . Punished during the proceedings by the constant insin- uation that she was telling these events to gain publicity for her- self— that is , to sell her story she was then punished for ...
Seite 13
... Woman is the prod- uct of these differencings ; she is fractured across their grids . While the feminine lady was located as the moral and emotional heart and womb of the middle class , the proletarian woman , insofar as she did not ...
... Woman is the prod- uct of these differencings ; she is fractured across their grids . While the feminine lady was located as the moral and emotional heart and womb of the middle class , the proletarian woman , insofar as she did not ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York