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Seite 122
Pascal Bonitzer observes that in the cinema , the lie ( or the possibility of lying ) is linked to the existence of an off - screen space . This leads him to a quite interesting differentiation of genres : There is at bottom no place ...
Pascal Bonitzer observes that in the cinema , the lie ( or the possibility of lying ) is linked to the existence of an off - screen space . This leads him to a quite interesting differentiation of genres : There is at bottom no place ...
Seite 154
Bambara's analysis of the use of space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) ” rather than “ dominated space ...
Bambara's analysis of the use of space in Daughters of the Dust is akin to that of Deleuze ( regarding Orson Welles ) and inflected by Bazin . This is “ shared space ( wide - angled , deep focus ) ” rather than “ dominated space ...
Seite 156
In Black American Cinema , Manthia Diawara posits two types of black American cinema , one based on a model of time ( linear , not simultaneous ) , the other on space . “ Spatial narration ” reveals and links “ black spaces that have ...
In Black American Cinema , Manthia Diawara posits two types of black American cinema , one based on a model of time ( linear , not simultaneous ) , the other on space . “ Spatial narration ” reveals and links “ black spaces that have ...
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