Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 54
... sexual difference mutate and proliferate . Some analysts even suggest that it is in these hybrid genres where mass market film comes closest to producing a progressive film text on gender , for it is when fantastic narratives exaggerate ...
... sexual difference mutate and proliferate . Some analysts even suggest that it is in these hybrid genres where mass market film comes closest to producing a progressive film text on gender , for it is when fantastic narratives exaggerate ...
Seite 87
... sexual difference . It is not insignificant , for example , that Kracauer describes boredom in relation to Taylorized labor and rationalized leisure and chooses a twentieth - century female fig- ure a middle - aged , working - class ...
... sexual difference . It is not insignificant , for example , that Kracauer describes boredom in relation to Taylorized labor and rationalized leisure and chooses a twentieth - century female fig- ure a middle - aged , working - class ...
Seite 93
... sexual difference , and historiography . Unless otherwise indicated , all translations are my own . The retrospective viewing of a photographic image is , of course , already on the side of history . As Susan Sontag puts it , " A ...
... sexual difference , and historiography . Unless otherwise indicated , all translations are my own . The retrospective viewing of a photographic image is , of course , already on the side of history . As Susan Sontag puts it , " A ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York