Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 30
... sense " was Gauss's most salient characteristic ( 340 ) . This enabling base of gentlemanliness can nonetheless give rise to specific political preferences , specific programs and prac- tices . Indeed , it is the very extent to which ...
... sense " was Gauss's most salient characteristic ( 340 ) . This enabling base of gentlemanliness can nonetheless give rise to specific political preferences , specific programs and prac- tices . Indeed , it is the very extent to which ...
Seite 139
... sense , at least in these two texts , the ambiv- alence we feel towards the familiar , the homely , and the intimate , an ambivalence which Freud locates at the sexual heart of those fearsome Gothic fictions he calls " the uncanny ...
... sense , at least in these two texts , the ambiv- alence we feel towards the familiar , the homely , and the intimate , an ambivalence which Freud locates at the sexual heart of those fearsome Gothic fictions he calls " the uncanny ...
Seite 112
... sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply ...
... sense of identity must have been interwoven , to some extent , with the costumes she donned at social functions at college and at work . Autobio- graphical denial is commonplace amongst artists and writers ; however , denial simply ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York