Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 55
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
... scene poses that the downbeat end of the film inexorably returns us . Blue Steel's treatment of origins is adumbrated in its opening moments by a particularly brutal primal scene . Against a back- ground of shouting , threats , and ...
Seite 62
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
... scene in which Megan dresses for her graduation in her uniform , opens up the question of the woman's fantasy and pleasure , inaugurating an inquiry into Megan's investment in androgyny and / or masculinity . The elec- tronic music and ...
Seite 133
... scenes of childhood memory . The past , a question of memory and history ( which is intimate and emotive ) , haunts the present of her films like a primal scene . I am not thinking of the Freudian primal scene but of something he could ...
... scenes of childhood memory . The past , a question of memory and history ( which is intimate and emotive ) , haunts the present of her films like a primal scene . I am not thinking of the Freudian primal scene but of something he could ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York