Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 67
... questions about seeing and knowing take new turns and acquire different intensities , but serious questions remain , highlighted by Blue Steel but moving past its equivocal cynicism , about how that knowledge will and can be put into ...
... questions about seeing and knowing take new turns and acquire different intensities , but serious questions remain , highlighted by Blue Steel but moving past its equivocal cynicism , about how that knowledge will and can be put into ...
Seite 113
... question of narrative from a dif- ferent direction than the ones chosen by the writers in the Mor- rison anthology . None of the contributors addresses in any detail the question of essentialism as it has been debated within post ...
... question of narrative from a dif- ferent direction than the ones chosen by the writers in the Mor- rison anthology . None of the contributors addresses in any detail the question of essentialism as it has been debated within post ...
Seite 186
... question of whether or not pre - 1906 cinema is understood as narrative cinema . Although Hansen stresses " class ... questions of form and social class come to a head at the key 1909 moment I have described , where it is an issue of ...
... question of whether or not pre - 1906 cinema is understood as narrative cinema . Although Hansen stresses " class ... questions of form and social class come to a head at the key 1909 moment I have described , where it is an issue of ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York