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Seite 23
11 For two of the many critiques of this position , see Acland ( 5 , 12 ) and Cubitt ( 61-63 ) . ... Their positions interestingly repeat the juxtaposition in lyric theory between " fictional ” and “ ritual ” lyric consumption ( see ...
11 For two of the many critiques of this position , see Acland ( 5 , 12 ) and Cubitt ( 61-63 ) . ... Their positions interestingly repeat the juxtaposition in lyric theory between " fictional ” and “ ritual ” lyric consumption ( see ...
Seite 47
It comes at the end of the show after all the time each of the two men has spent distinguishing his position from the other's ( in often virulent and violent ways ) and trying to show how his position is dramatically pertinent to the ...
It comes at the end of the show after all the time each of the two men has spent distinguishing his position from the other's ( in often virulent and violent ways ) and trying to show how his position is dramatically pertinent to the ...
Seite 112
This position is untenable given that the work grew out of her childhood ( and adult ) fascination with dressing - up . Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social ...
This position is untenable given that the work grew out of her childhood ( and adult ) fascination with dressing - up . Sherman's sense of identity must have been interwoven , to some extent , with the costumes she donned at social ...
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aesthetic American analysis appears argues artist Barthes become begin body boredom calls camera century cinema construction critical culture death desire difference discourse drawing early effect essay example experience eyes face fantasy father fear female feminine feminism feminist figure film gender give hand human issue kind knowledge language less Library look lyric male meaning misogyny Monroe mother myth narrative nature Night object once past perhaps photographs play political popular pose position postmodern present produced professor question refers relation representation represented reveals says scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests tell theory thing tion tradition Trans truth turn University Virginia vision visual woman women Woolf writing York