Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 152
... object [ becomes ] transformed into a loss in the ego , " he hypothesizes ( 170 ) . In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object ...
... object [ becomes ] transformed into a loss in the ego , " he hypothesizes ( 170 ) . In melancholia , the ego makes an object - choice on the basis of narcissistic identification with its object ; when , for whatever reason , that object ...
Seite 121
... object's mobility , its belonging to the living and the flux of time . The interior theater of photography is thus ... object . The convergence and diver- sity of gazes focused on a single object underpins the richness of meaning and ...
... object's mobility , its belonging to the living and the flux of time . The interior theater of photography is thus ... object . The convergence and diver- sity of gazes focused on a single object underpins the richness of meaning and ...
Seite 123
... object cries out in a way in the desert . . . . The specificity of the photograph is this : that what I call the cry of the object appears as a possible response from the good side , that of the lens . Photography is a call without ...
... object cries out in a way in the desert . . . . The specificity of the photograph is this : that what I call the cry of the object appears as a possible response from the good side , that of the lens . Photography is a call without ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York