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In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. Griffith and the Origins of American Narrative Film ...
In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class and gender " othered " audience . In D.W. Griffith and the Origins of American Narrative Film ...
Seite 186
to suggest the industrialization of the creative process , and even to emphasize the " force " involved in narrative ( although not , as yet , the coercion ) . This new formulation and period breakdown will not go uncontested .
to suggest the industrialization of the creative process , and even to emphasize the " force " involved in narrative ( although not , as yet , the coercion ) . This new formulation and period breakdown will not go uncontested .
Seite 69
As the paragraph explains the ways in which the viewer must cover different sections of the model's face , it builds a sequential narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the ...
As the paragraph explains the ways in which the viewer must cover different sections of the model's face , it builds a sequential narrative from this single static image , providing a slow , teasing " revelation " of the meaning of the ...
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Inhalt
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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aesthetic American analysis appears argues artist Barthes become begin body boredom calls camera century cinema construction critical culture death desire difference discourse drawing early effect essay example experience eyes face fantasy father female feminine feminism feminist figure film gender give hand human issue kind knowledge language less look lyric male meaning misogyny Monroe mother myth narrative nature Night object once past perhaps photographs play political popular pose position postmodern present produced professor question refers relation representation represented reveals says scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests tell theory thing tion tradition Trans truth turn University University Library Virginia vision visual woman women Woolf writing York