Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
Im Buch
Ergebnisse 1-3 von 25
Seite 7
... lyric tradition . The rubric " lyric " here will simply mean any rhythmic , verbal articulation of experience and emotion , spoken or sung ( often fictively ) in the first person and sometimes performed to music . My purpose in invoking ...
... lyric tradition . The rubric " lyric " here will simply mean any rhythmic , verbal articulation of experience and emotion , spoken or sung ( often fictively ) in the first person and sometimes performed to music . My purpose in invoking ...
Seite 9
... lyric sequences bound by ( an illusion of ) voice , a consistency of stance , a repeated vocabulary , and a defin- ing repertory of forms and tropes . Lyric thus also generically enacts the tension between fragment and totality ...
... lyric sequences bound by ( an illusion of ) voice , a consistency of stance , a repeated vocabulary , and a defin- ing repertory of forms and tropes . Lyric thus also generically enacts the tension between fragment and totality ...
Seite 17
... lyric " I " who directly addresses a lyric " you " — either the beloved on display ( " I Want Your Sex " ) or the camera - spec- tator - lover ( “ Faith " ) — this video spells out a context for the lyric instance . But who is in ...
... lyric " I " who directly addresses a lyric " you " — either the beloved on display ( " I Want Your Sex " ) or the camera - spec- tator - lover ( “ Faith " ) — this video spells out a context for the lyric instance . But who is in ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York