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Seite 54
Nevertheless , Bigelow's film is loosely linked to these later productions which thematize issues of gender , sexuality — and feminism – by crisscrossing within a single text those genres which depend most on violence and fear for their ...
Nevertheless , Bigelow's film is loosely linked to these later productions which thematize issues of gender , sexuality — and feminism – by crisscrossing within a single text those genres which depend most on violence and fear for their ...
Seite 57
Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he ...
Nick's generic status notwithstanding , Bigelow never lets gender alone rule the narrative ; at almost every point of the film , the imbrication of class and gender is emphasized . Nick is the generic masculine for Megan because he ...
Seite 46
in terms of a visual shock that is hard to tolerate , we can see the interface of race and sexuality which shows how central the issue of race was to those of gender and class in any cultural product of the white bourgeoisie in the ...
in terms of a visual shock that is hard to tolerate , we can see the interface of race and sexuality which shows how central the issue of race was to those of gender and class in any cultural product of the white bourgeoisie in the ...
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