Im Buch
Ergebnisse 1-3 von 91
Seite 59
These twin complexes preoccupy the urban thriller as a contemporary film genre , and they also lie at the heart of film theory's extended debate about the tripartite operation of the cinematic apparatus , the diegesis , and the ...
These twin complexes preoccupy the urban thriller as a contemporary film genre , and they also lie at the heart of film theory's extended debate about the tripartite operation of the cinematic apparatus , the diegesis , and the ...
Seite
GREED Jonathan Rosenbaum Erich von Stroheim's colossal ambitions for this film were his undoing , as this fascinating re- construction reveals . A BFI Film Classic 64 pp , 30 illus . , pa $ 9.95 WITTGENSTEIN The Terry Eagleton Script ...
GREED Jonathan Rosenbaum Erich von Stroheim's colossal ambitions for this film were his undoing , as this fascinating re- construction reveals . A BFI Film Classic 64 pp , 30 illus . , pa $ 9.95 WITTGENSTEIN The Terry Eagleton Script ...
Seite
FILM AND GREED Jonathan Rosenbaum Erich von Stroheim's colossal ambitions for this film were his undoing , as this fascinating re- construction reveals . A BFI Film Classic 64 pp , 30 illus . , pa $ 9.95 WITTGENSTEIN The Terry Eagleton ...
FILM AND GREED Jonathan Rosenbaum Erich von Stroheim's colossal ambitions for this film were his undoing , as this fascinating re- construction reveals . A BFI Film Classic 64 pp , 30 illus . , pa $ 9.95 WITTGENSTEIN The Terry Eagleton ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
aesthetic American analysis appears argues artist Barthes become begin body boredom calls camera century cinema construction critical culture death desire difference discourse drawing early effect essay example experience eyes face fantasy father female feminine feminism feminist figure film gender give hand human issue kind knowledge language less look lyric male meaning misogyny Monroe mother myth narrative nature Night object once past perhaps photographs play political popular pose position postmodern present produced professor question refers relation representation represented reveals says scene seems sense sexual Sherman shows signs social space speak specific story Studies suggests tell theory thing tion tradition Trans truth turn University University Library Virginia vision visual woman women Woolf writing York