Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
Im Buch
Ergebnisse 1-3 von 90
Seite 55
... film's plot and themes ; it is to the issues that this brief scene poses that the downbeat end of the film ... film's opening , the scene acts as a training session for the viewer also , reminding her of the fictive , simulated ...
... film's plot and themes ; it is to the issues that this brief scene poses that the downbeat end of the film ... film's opening , the scene acts as a training session for the viewer also , reminding her of the fictive , simulated ...
Seite 58
... film's psychoanalytic discourse . In retrospect , we can see that Megan's interpretation of the training scenario , in which the fighting couple , played by white actors , are placed in a setting that denotes their poverty , is cued by ...
... film's psychoanalytic discourse . In retrospect , we can see that Megan's interpretation of the training scenario , in which the fighting couple , played by white actors , are placed in a setting that denotes their poverty , is cued by ...
Seite 131
... cinema , including Hollywood movies . As Moffatt explains : “ I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
... cinema , including Hollywood movies . As Moffatt explains : “ I learned to make films by watching them . A childhood spent glued to the television , then a diet of very commercial cinema through to avant - garde films . " Mary Poppins ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York