Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 18
... figures . He decides to kill the father figure of the girl who rejected him , which is of course a reflection of his own father figure , and when he is thwarted by that he moves on to the pimp , the other father figure . That isn't ...
... figures . He decides to kill the father figure of the girl who rejected him , which is of course a reflection of his own father figure , and when he is thwarted by that he moves on to the pimp , the other father figure . That isn't ...
Seite 86
... figure ; rather than being opposites , the two faces mirror each other . To the extent that each face sepa- rately bears the inscription of the " two - faced herm " that makes beauty and death one , the twice doubled figure potentially ...
... figure ; rather than being opposites , the two faces mirror each other . To the extent that each face sepa- rately bears the inscription of the " two - faced herm " that makes beauty and death one , the twice doubled figure potentially ...
Seite 95
... figure relied on its partic- ularity . But we don't need to see that body for the figure to " work " ; on the contrary , the lack of a specific visual image mul- tiplies the possible permutations implicit in the union of the two women ...
... figure relied on its partic- ularity . But we don't need to see that body for the figure to " work " ; on the contrary , the lack of a specific visual image mul- tiplies the possible permutations implicit in the union of the two women ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York