Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 80
... fear : not only Monroe's and by implication Woolf's fears , enacted in their sui- cides ( though many people now doubt that Monroe killed her- self ) , but the fear they evoke in others , a fear that is inseparable from feminism . For ...
... fear : not only Monroe's and by implication Woolf's fears , enacted in their sui- cides ( though many people now doubt that Monroe killed her- self ) , but the fear they evoke in others , a fear that is inseparable from feminism . For ...
Seite 87
... fear in Woolf even as she induces fear in them . A few examples will have to suffice . The first appears in the 1930 Book of Beauty produced by Cecil Beaton , the eminent pho- tographer of " beautiful people , " including Marilyn Monroe ...
... fear in Woolf even as she induces fear in them . A few examples will have to suffice . The first appears in the 1930 Book of Beauty produced by Cecil Beaton , the eminent pho- tographer of " beautiful people , " including Marilyn Monroe ...
Seite 93
... fear elicited by the doubling of Woolf and Monroe — not to mention Albee's Martha and Kureishi's Rosie- may well be the fear of the childless woman : the other side or perhaps another manifestation of Žižek's phallic mother . When the ...
... fear elicited by the doubling of Woolf and Monroe — not to mention Albee's Martha and Kureishi's Rosie- may well be the fear of the childless woman : the other side or perhaps another manifestation of Žižek's phallic mother . When the ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York