Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 107
... Critical Studies . Ed . Teresa de Lauretis . Bloomington : Indiana UP , 1986. 213-29 . Sammy and Rosie Get Laid . Writ . Hanif Kureishi . Dir . Stephen Frears . Cinecom , 1987 . Schorer , Mark . " A Writer's Mirror . " Rev. of A ...
... Critical Studies . Ed . Teresa de Lauretis . Bloomington : Indiana UP , 1986. 213-29 . Sammy and Rosie Get Laid . Writ . Hanif Kureishi . Dir . Stephen Frears . Cinecom , 1987 . Schorer , Mark . " A Writer's Mirror . " Rev. of A ...
Seite 81
... critical theory , particularly German critical theory of the 1920s and 1930s , bore- dom is understood in relation to leisure , and also to waiting , to an expectation or future orientation of subjectivity devoid of anxiety or ...
... critical theory , particularly German critical theory of the 1920s and 1930s , bore- dom is understood in relation to leisure , and also to waiting , to an expectation or future orientation of subjectivity devoid of anxiety or ...
Seite 188
... critical practice to critical discourse per se . In the current debates on the language of photography , Durand contributes a critical project based on the assumption ( supported by such Ameri- can critics as Rosalind Krauss ) that ...
... critical practice to critical discourse per se . In the current debates on the language of photography , Durand contributes a critical project based on the assumption ( supported by such Ameri- can critics as Rosalind Krauss ) that ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York