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enforcement of silence ) during the move from a cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class ...
enforcement of silence ) during the move from a cinema of attraction to a cinema of " absorption . " In other words , the form of classical narrative cinema itself gives testimony to the threat to bourgeois order of the disorderly class ...
Seite 187
While film theorists wouldn't necessarily want to argue for any " class belongingness " of either pre - 1906 or post - 1909 cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically ...
While film theorists wouldn't necessarily want to argue for any " class belongingness " of either pre - 1906 or post - 1909 cinema , where are we if we argue that cinema , from its inception , is thoroughly bourgeois ( and embryonically ...
Seite 188
drawn between early cinema and avant - garde styles for that matter ) . It is that even as this move helps to situate early cinema as " counter " to mainstream narrative , the strange alliance ( a “ Coney Island of the avant - garde ...
drawn between early cinema and avant - garde styles for that matter ) . It is that even as this move helps to situate early cinema as " counter " to mainstream narrative , the strange alliance ( a “ Coney Island of the avant - garde ...
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Inhalt
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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