Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 81
... camera cuts back and forth between Rafi and the portrait , Woolf's face looms larger and larger until her eyes fill the screen ( figures 6-8 ) . The choice of photograph here is crucial , for while most of the well - known images of ...
... camera cuts back and forth between Rafi and the portrait , Woolf's face looms larger and larger until her eyes fill the screen ( figures 6-8 ) . The choice of photograph here is crucial , for while most of the well - known images of ...
Seite 159
... Camera Lucida does the opposite : it makes the mother truly “ cynosural , " to recall Sedgwick's word for the mother in gay male texts . Barthes fantasizes that " the photograph is literally an emanation of the referent . . . . A sort ...
... Camera Lucida does the opposite : it makes the mother truly “ cynosural , " to recall Sedgwick's word for the mother in gay male texts . Barthes fantasizes that " the photograph is literally an emanation of the referent . . . . A sort ...
Seite 105
... camera is male . Her images are successful partly because they do not threaten phallocracy , they reiterate and confirm it " ( 16 ) . At issue is whether a woman is in control or in power if she wields the tools that generate desire ...
... camera is male . Her images are successful partly because they do not threaten phallocracy , they reiterate and confirm it " ( 16 ) . At issue is whether a woman is in control or in power if she wields the tools that generate desire ...
Inhalt
Introduction | 3 |
Feminist Theory Goes to Hollywood | 50 |
The Monstrous Union of Virginia Woolf and Marilyn Monroe | 71 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York