Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 91
... body only began to incite " fear " in the last nude photographs , when even the beauty of the face couldn't hide the signs of her suffering and her impend- ing death : " Her body looked ravaged and ill , already drained of life ...
... body only began to incite " fear " in the last nude photographs , when even the beauty of the face couldn't hide the signs of her suffering and her impend- ing death : " Her body looked ravaged and ill , already drained of life ...
Seite 13
... body politic of which such men were also the center . The working classes were identified as hands in terms of production and below the waist in relation to morality . Bestial and uncontrollably sexual , they were also identified with ...
... body politic of which such men were also the center . The working classes were identified as hands in terms of production and below the waist in relation to morality . Bestial and uncontrollably sexual , they were also identified with ...
Seite 33
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . Representatives of the mine owners opposed any further cur ...
... body in relation to the photographer's , and hence , the viewer's , gaze . Photography does not record a body in representation but produces a body for representation . Representatives of the mine owners opposed any further cur ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish fiction film theory film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries novel object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social space specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY vampire viewer Virginia Woolf vision visual woman women writing York