Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 16,Ausgaben 1-21993 |
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Seite 160
... artist's mother or his wife ( see Nadar : " The Artist's Mother [ Or Wife ] " [ Camera 68 ] ) . Barthes claims that this is " one of the loveliest photographs in the world " ( 70 ) . Here , the woman occupies the traditional place of ...
... artist's mother or his wife ( see Nadar : " The Artist's Mother [ Or Wife ] " [ Camera 68 ] ) . Barthes claims that this is " one of the loveliest photographs in the world " ( 70 ) . Here , the woman occupies the traditional place of ...
Seite 116
... artist of the late - twentieth century . " The comparisons abound between the two artists : their similar approaches to the marketplace , their inability to articulate the meaning of their work , their extensive use of stereotyped and ...
... artist of the late - twentieth century . " The comparisons abound between the two artists : their similar approaches to the marketplace , their inability to articulate the meaning of their work , their extensive use of stereotyped and ...
Seite 133
... artist , not an Aboriginal artist . “ Yes I am Aboriginal , but I have the right to be avant - garde like any white artist " ( qtd . in Murray 21 ) . Moffatt's films return to the compelling , colonial moment , cast as scenes of ...
... artist , not an Aboriginal artist . “ Yes I am Aboriginal , but I have the right to be avant - garde like any white artist " ( qtd . in Murray 21 ) . Moffatt's films return to the compelling , colonial moment , cast as scenes of ...
Inhalt
Introduction | 3 |
Professors | 28 |
Feminist Theory Goes to Hollywood | 50 |
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Häufige Begriffe und Wortgruppen
Aboriginal aesthetic American analysis Anita Hill argues Arthur Munby artist avant-garde Barthes Barthes's become Bellour Blue Steel blur body boredom bourgeois Brassaï CALIFORNIA/RIVERSIDE The University camera Cindy Sherman cinema contemporary critical critique D.W. Griffith Deleuze desire Dirty Harriet discourse Dracula Duchenne Duchenne's essay example experience face fantasy Father Figure female feminine feminism feminist feminist film theory fetish film's Freud Gauss gaze gender genre George Michael homosexuality Jedda Kristeva look lyric male Marilyn Monroe masculine medical photography Megan melancholia modern Moffatt mother Munby music video myth narrative Night Cries object photographs political popular culture pose postmodern professor psychoanalysis question relation representation reveals Roland Barthes Routledge scene sexual difference Sherman social specific story Studies Tania Modleski Teleny tion Tracey Moffatt tradition Trans truth University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/RIVERSIDE vampire viewer Virginia Woolf vision visual woman women writing York